Thu, 24th Apr — 79 notes

Thu, 24th Apr — 7,162 notes
Wed, 23rd Apr — 985,160 notes
Wed, 23rd Apr — 235 notes
she-loves-fashion:

Vogue Germany April 2014 by Luigi + Daniele & Iango 

she-loves-fashion:

Vogue Germany April 2014 by Luigi + Daniele & Iango 

Wed, 23rd Apr — 50 notes
Wed, 23rd Apr — 1,376 notes
haxanmovie:

H▲X▲N for similar Like on FB
Wed, 23rd Apr — 356 notes
And at the end of the day, your feet should be dirty, your hair messy and your eyes sparkling.

— Shanti (via awelltraveledwoman)

Tue, 22nd Apr — 48,222 notes
Tue, 22nd Apr — 12,328 notes
wiccan-wisdom:

⋆
Tue, 22nd Apr — 17,210 notes
rainydaysandblankets:

all i need.

rainydaysandblankets:

all i need.

Tue, 22nd Apr — 2,787 notes
wiccan-wisdom:

⋆
Tue, 22nd Apr — 2,131 notes

resurgance:

Marina being absolutely adorable before her performance of Guilty at the 2010 New Pop Festival

[X]

Mon, 21st Apr — 1,529 notes
allthingseurope:

Cologne, Germany (by Alexander Stoffel)

allthingseurope:

Cologne, Germany (by Alexander Stoffel)

Mon, 21st Apr — 3,953 notes

asylum-art:

Japanese Artist Ishibashi Yui’i’s Unsettling Figures

Japenese artist Ishibashi Yui’s sculptures are both unsettling and serene. Using a variety of materials, such as wood, resin, cloth, clay, steel wire, and stone powder, she often depicts figures whose roots extend and project outward in many directions. These figures appear passive and complacent to these protruding branches, aware of the lack of control they have over this organic process. Some of these protrusions seem painful or unexpected, but ultimately inevitable. Often her figures are off-white, while their protrusions are green or red-hued. These figures are human-like, but their soft, round and white bodies give the viewer a sense they are also of the earth, resembling a plant’s bulb. Yui’s work makes us deeply aware of how we are intertwined with the natural world, and the balance and cycle of nourish and depletion that living and dying requires.


Mon, 21st Apr — 1,901 notes